i make me
My new favorite. Listen, download, share, leave comments in the track. DO WHAT YOU WANT.
My new favorite. Listen, download, share, leave comments in the track. DO WHAT YOU WANT.
Just finished the scaffolding of a new track, “Power Lines”. Really excited about it. Will flesh it out and dress it up in the morning. :) yeaaaaaaah.
Finally… :)
Three for now, more to come. This time, I actually have some original artwork to accompany the sound, so that’s kinda cool.
Happy Monday,
Ellen
I feel so, so good these days.
Several songs in the works. I know I keep promising to post them, and I haven’t. Part of it is that I don’t have internet in my apartment right now. I’m trying to cut the creative distractions to a minimum, and if my complex didn’t provide cable TV as an included perk in my rent, I wouldn’t have that either. :)
The other part of the delay is that I wasn’t quite sure for a while what the tone of these songs would be. My acoustic work in the past has been a bit grey, for lack of a better description. Heavy, perhaps. I let a lot of things get in the way of the lightness I once embodied as a child. In trying to un-shroud myself, people - in a peculiar effort to console me - would assure me that the weight I felt was a natural part of getting older, of letting the world attach itself to you silently and gradually, until you become a conglomeration of all that you’ve been and experienced. That concept of becoming a living gesamtkunstwerk doesn’t necessarily bother me. What bothers me about it is the idea that such a process necessitates the consequence of a dreary weight, a quicksand sort of heaviness that drags you neck deep into the quagmire and taunts you into feigned escape with gilded visions of who you once were, what you once dreamed of.
But I didn’t sign up for that. If I have it my way - and I will - I will continue to slowly pluck all of the unwanted from my shoulders, shake of the dust that settled while I was occupied with other things, and stretch and dance like I once did on the benches in the girls’ locker room in middle school, singing into my deodorant without a care in the world aside from how I felt right then and there. It really can be that simple. And so that’s what I’m going back to.
I hope that my current work reflects my emotional and mental shedding of the unnecessary. This doesn’t mean I’m headed for a minimalist stage or anything too literal/parallel. It just means that I’m comfortable paring my emotions down to what I actually feel, rather than adopting the feelings of the world. That’s a job better left to the infamous sky-god.
To that end, soon to come:
Merrily
Reach
Once a Man
Gravity
You & Me
Kimora Lee Simmons has never been someone that I’ve looked to for any sort of thought-provoking commentary on anything. I once watched her show on Style TV and just about fell over laughing at the ridiculous nature of some of things that went on. Everyone has gems of wonder in them, though, and she showed one recently:
Life doesn’t always have to speak to the lowest part of us.
She was commenting on some rumors of anorexia, so the context is quite different. The message, however, is universal. Give life a chance to rejoice by focusing on the parts that bring joy, that bring peace, that show success or at least evidence of your best efforts. Anyway… :)
<3,
LN
I am so excited. I am going to submit my formal bid to a design studio in hopes that we get to collaborate on a new project. Above all, it will be a great opportunity to be creative with another creative set of minds. So good.
For my own pleasure, I’ve begun working on some new pieces, this time with some input from a newly discovered beat creator. People the world over have been using things like this for years, so I won’t pretend that it’s new for anyone except myself. Haha. But that’s what counts, right? We’ll see what can shake out of it. :)
Also, this site will be in design flux for a little while. I haven’t quite found a design that fits yet, but at least the changes will keep things visually interesting. :)
Much love, Ellen
I need to make time for more music. Work, working out, eating, cleaning, and simply being can get in the way of it, and they have for me. Or - rather - I’ve let them.
Time for a solution.
!
It’s been some time, Dear Carpenter…
I’ve recently moved back to Tracy, my hometown. I’m teaching piano now. I have a handful of students for the summer and will have more for the fall. It’s going well. Big toe in the right direction? Check. :)
Music school: I’ve been getting a ton of help in everything from marketing, to branding, to teaching tips, small business loans, non-profit information…it’s fantastic. Not to mention that the people closest to me in life are fully supportive and wouldn’t let me live it down if I gave up. :) Heart in the right direction? Check.
Ellen began classical piano at age five, and continued through her penultimate year of university. She picked up jazz piano and voice while at Las Positas College, and added a little bit of electronica during her time at the Herb Alpert School of Music at UCLA, where she earned her Bachelor of Arts in music composition in June of 2009.
While all music excites Ellen, her passion realized itself most fully in the convergence of voice and keyboard. SEDIMENT STORIES is a quiet, yet powerful compilation inspired by the weather and all sorts of other stick and stonish things.
Still, everyone needs a proper headbopping now and then. GRIND is a neat collection of electronic thump-thumps put in this world for no other reason than to set the body (and mind) in motion.
Ellen worked on the set of the movie “FAME” (2009, Lakeshore Entertainment) as a hand double. She was also featured as the pianist and vocalist in the independent film “Peep Show” (2009).
Her current projects include a collaboration with a multidisciplinary media studio based out of Malibu, CA and a software development firm in Berlin, Germany. Details coming soon.
Ellen currently resides in Southern California.
Email Ellen for a booking or collaborative project (<--- she really loves those).
ellen@ellenarmour.com